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PHIL GAVEN
CRAFTSMAN & PROPRIETOR
207-409-3344
phil@shininglass.com 

 

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Design, Production and Delivery

Finished Wood Samples The Finish
woodcherry American Cherry
Grows throughout the eastern United States; the wood I’ve used comes chiefly from New England and Virginia. The wood is fine-grained and works beautifully. It has a reddish brown color that deepens dramatically with age.
woodwalnut

Black Walnut
Grows throughout the United States. Other species grow around the world, and all are prized for furniture wood. It is a joy to work and finish, revealing striking undulations of grain as it is rubbed with oil.

woodbubinga Bubinga
From West Africa, principally Gabon and Cameroon, it is a prized exotic. It has a moderately course, open grain, can be a bit of a bear to work, yet takes a fine polish. The wood is extremely heavy and fairly hard, and can range in color from red to brown to purple in a single piece. It is occasionally vividly figured.
woodmaple Hard Maple
Grows extensively from Minnesota to Maine, from Georgia northward. My supplies have been coming from Vermont. It is heavy and hard, can be difficult to work, but takes a wonderful finish. Its pale golden color is occasionally brilliantly figured: curly (sometimes called tiger or fiddleback,) or birdseye.
woodmahogany Honduras Mahogany
The “true” Mahogany, it is a venerated furniture wood; its durability makes it also popular for marine use. Its color will, over time, darken from golden brown to a rich, deep red. It tends to have remarkable, swirling grain patterns and is a pleasure to work and finish.
woodzebra Zebrawood
Zebrawood is a rare exotic from West Africa. Its striped, course grain can be a challenge to shape and finish. The wood is extremely durable and very heavy.
The finish I use is from a recipe by the legendary Sam Maloof, though I have made minor modifications to his application process. After the wood is shaped, it is sanded dry to 180 grit. Then three coats of a mixture of tung oil, linseed oil, and polyurethane are rubbed in by hand with wet-or-dry sandpaper of grits from 220 to 1500. After that, three coats of a mixture of tung oil, linseed oil, and beeswax are rubbed in. I do not use any stains or dyes and I find this finish brings out the natural color and beauty of hardwoods. The finished texture is satiny and warm, and begs to be touched. It is a very durable and long-lasting finish as well. It stands up to years of use, with only a periodic wipe of lemon oil or coat of paste wax. This finish is actually improved by the oil from human skin, and becomes more lustrous with use.